{"id":31831,"date":"2023-04-13T11:00:00","date_gmt":"2023-04-13T15:00:00","guid":{"rendered":"https:\/\/www.fbdm-mcaf.ca\/?p=31831"},"modified":"2023-04-13T12:15:52","modified_gmt":"2023-04-13T16:15:52","slug":"call-for-papers-comic-arts-conference-2","status":"publish","type":"post","link":"https:\/\/www.fbdm-mcaf.ca\/en\/univers-bd\/babillard\/annonces-en\/call-for-papers-comic-arts-conference-2\/","title":{"rendered":"Call for Papers \u2013 Comic Arts Conference"},"content":{"rendered":"\n

Beyond Borders<\/em><\/strong><\/h3>\n\n\n\n

2e<\/sup> Colloque international du FBDM<\/strong><\/h4>\n\n\n\n

The Montreal Comic Arts Festival (MCAF) and the McGill Centre for Interdisciplinary Research on Montreal (CIRM)<\/a> are pleased to invite you to its 2nd Comic Arts International Conference, Beyond Borders<\/em>, in Montreal, from October 19 to 21, 2023<\/strong>. This conference will bring together researchers interested in the comic arts and their creators for discussions and presentations of research and field work. The scientific direction of the conference is assured by Anna Giaufret<\/strong>, assistant professor at the Department of Modern Languages and Cultures of the University of Genoa; she is supported by a multidisciplinary scientific committee of researchers and practitioners of the 9th art.<\/p>\n\n\n\n

Beyond Borders<\/h2>\n\n\n\n

Whether political, geographical, social, linguistic, cultural, graphic, metaphorical, real or imaginary, borders are drawn and apprehended in many ways by comic artists. They can be crossed, surpassed or be the place of expectation and political limbo (think of Guy Delisle’s various Chroniques<\/em>, or Natasha Donovan’s recent adaptation of Thomas King’s story, Borders<\/em>). Whether impenetrable or porous, borders are also accompanied by various social and cultural phenomena, whether they be migratory movements (Shaun Tan’s L\u00e0 o\u00f9 vont nos p\u00e8res<\/em>, Khi\u00eam. Terres maternelles<\/em> by Yasmine and Djibril Morisette-Phan, or Threads: From the Refugee Crisis<\/em> by Kate Evans), or a claim by peoples to a territory and the traditions attached to it (Paying the Land<\/em> by Joe Sacco). In what ways do these borders shape the territory? What are the social and cultural impacts of this assertion of territoriality?<\/p>\n\n\n\n

On the other hand, graphic boundaries (those of the panel, the outline, or the gutter for example) can be used as generative constraints, as with Lewis Trondheim, or disrupted, even eliminated, as in Brecht Evens\u2019 work. How do authors play with these graphic boundaries? How is it possible to exploit them in order to produce meaning? Indeed, the division of the page and the double page, which makes it possible to project the diachrony (narrative development) on the synchronicity (global perception on behalf of the reader) is one of the assets of the 9th art, which constitutes one of its specificities. In these albums \u2013 whether personal or collective \u2013 by what mechanisms can their creators blur other types of borders: reality and fiction, or even the delimitations of the medium? Because if borders can be constraining, limits drawn on the page, they can also be a call to go beyond them, to explore and to highlight their porosity.<\/p>\n\n\n\n

In what ways do comic artists cross the boundaries of comics? Proposals for papers for this second international conference on comics may respond to one or more of the following key themes:<\/p>\n\n\n\n

Crossing borders<\/strong><\/h3>\n\n\n\n

Physical borders, by their presence, differentiate what they separate, whether they are in place for political, territorial, geographic or other reasons. Crossing them presupposes a change of state, but what are the effects of mobility on the welcoming land? What do we leave behind when we cross a border, and what do we pass on as a result of this crossing? Numerous works of comics address these questions through the prism of migratory movements (L\u2019ann\u00e9e du li\u00e8vre<\/em> by Tian, La bolla di Ventimiglia<\/em> by Emanuele Giacopetti, When Stars Are Scattered<\/em> by Victoria Jamieson and Omar Mohamed), cultural transmission (Rita sauv\u00e9e des eaux<\/em> by Sophie Legoubin-Caupeil and Alice Charbin, The Roles We Play<\/em> by Sabba Kahn, I Was Their American Dream<\/em> by Malaka Gharib), or the analysis of the border city (De l’autre c\u00f4t\u00e9 de la fronti\u00e8re<\/em> by Jean-Luc Fromental and Philippe Berthet, Juarez<\/em> by Nathalie Sergeef and Corentin Rouge, Safe Area Gorazde<\/em> by Joe Sacco).<\/p>\n\n\n\n

Between borders<\/strong><\/h3>\n\n\n\n

A border, both physical and metaphorical, implies that it constitutes a threshold, between two states, two places, two moments. This border which splits is generating uncertainty, as rich in meaning as any other certainty. Comic book artists explore this aspect of liminality through both graphic and narrative techniques, blurring the more traditional perceptions of the medium, still mistakenly considered to be bordering illustration and literature. The narratives of mixity \u2013 identitarian, cultural or societal \u2013 are also rich subjects for comic artists (e.g., Marjane Satrapi’s Persepolis<\/em>, Riad Sattouf’s L\u2019arabe du futur<\/em>, Trung Le Nguyen’s The Magic Fish<\/em>, Turba. Memorias de Malvinas<\/em> by Lauri Fern\u00e1ndez).<\/p>\n\n\n\n

Transcending borders<\/strong><\/h3>\n\n\n\n

The medium of comics sometimes transcends geographical or cultural borders, as in the case of the international success of manga, or the numerous translations that give access to stories from other cultures. Comic books are also adapted to other mediums, or are inspired by them to tell stories with universal potential. Also through the absence or the explosion of graphic boundaries, the mixing of genres or the plurality of formats, comics sometimes play with the codes established by the short history of the medium (Here<\/em> by Richard McGuire, Time Zone J<\/em> by Julie Doucet, Red: A Haida Manga by Michael Nicoll Yahgulanaas, On a Sunbeam<\/em> by Tillie Walden, Vil et mis\u00e9rable<\/em> by Samuel Cantin, Tear Along the Dotted Line<\/em> by Zerocalcare).<\/p>\n\n\n\n

Call for Papers<\/h2>\n\n\n\n

We invite anyone interested in participating in this second international conference to submit a paper presentation\u2014in French or English. Your proposal must be submitted by email to: colloquebd@fbdm-mcaf.ca<\/a>. The submission deadline is May 28, 2023<\/strong>.<\/p>\n\n\n\n

Abstracts should not be longer than 500 words, excluding references, and should be accompanied by a biographical note (150 words maximum) specifying the contributor\u2019s name and affiliation. It is also important to indicate the preferred mode of participation in the conference: in person or virtual.<\/p>\n\n\n\n

The presentations should be of approximately 20 minutes in length. A question period will follow the presentations. Presentations could be published in the conference proceedings. Finally, although Beyond Borders<\/em> will be presented in bimodal mode, its organizers encourage participants to contribute to the conference’s exchanges through their physical presence, at the Esplanade Tranquille, in Montreal.<\/p>\n\n\n\n

Important Dates<\/h3>\n\n\n\n

May 28, 2023 Submission Deadline<\/p>\n\n\n\n

June 19, 2023 Selected Presenters Notified<\/p>\n\n\n\n

June 26, 2023 Confirmation of Participation<\/p>\n\n\n\n

October 19\u201321, 2023 Beyond Borders\u2013 <\/em>2nd MCAF Conference<\/p>\n\n\n\n

About Us<\/h2>\n\n\n\n

Scientific Director <\/strong><\/h3>\n\n\n\n

Anna Giaufret<\/strong>, Department of Modern Languages and Cultures, University of Genoa<\/p>\n\n\n\n

The Montreal Comic Arts Festival<\/strong><\/h3>\n\n\n\n

Over the last 10 years, MCAF has served as a space for artists and their audiences to meet and exchange ideas. The MCAF\u2019s yearly springtime event serves to promote Qu\u00e9b\u00e9cois and Canadian comic arts on the local and international levels, while contributing to their development and dissemination of knowledge on comics. <\/p>\n\n\n\n

Centre for Interdisciplinary Research on Montreal<\/strong><\/h3>\n\n\n\n

Bringing together 70 researchers from over 15 universities in Montreal, Canada, and abroad, CIRM is at the forefront of interdisciplinary research about Montreal. The centre also contributes to the conception, coordination, and dissemination of research-action projects created in tandem with social, economic, cultural, community, and municipal actors in the city.<\/p>\n\n\n\n

Organizing Committee<\/strong><\/h3>\n\n\n\n

M\u00e9lanie La Roche<\/strong>, General Director, MCAF
Virginie Mont-Reynaud<\/strong>, Programming Director,  MCAF
Audray Fontaine<\/strong>, Knowledge Mobilization Coordinator, CIRM
Johanne Desrochers<\/strong>, MCAF\u2019s General Director 2014-2022, MCAF
Maude Bourassa-Francoeur<\/strong>, Project Manager \u2013 Cultural Mediation, MCAF<\/p>\n\n\n\n

Contact<\/h3>\n\n\n\n

For information concerning the submission of presentation proposals and the conference, please contact the organizing committee of the event at the following email address: colloquebd@fbdm-mcaf.ca<\/a><\/p>\n\n\n\n

Short Bibliography<\/strong><\/h4>\n\n\n\n

Baetens, Jan, et Hugo Frey (2014), The Graphic Novel : An Introduction<\/em>, Cambridge University Press, Kindle Edition.
Dardaillon, Sylvie, et Christophe Meunier (2013), \u00ab La s\u00e9rie Paul de Michel Rabagliati : r\u00e9cits d\u2019espaces et de temps \u00bb, Comicalit\u00e9s<\/em>, \u00ab Repr\u00e9senter l\u2019auteur de bandes dessin\u00e9es \u00bb, https:\/\/journals.openedition.org\/comicalites\/1566<\/a>.
Fontaine-Rousseau, Alexandre (2015), \u00ab Pour une politique de l\u2019espace \u00bb, Sentinelle<\/em>, n\u00b0 1, p. 53-55.
Giaufret, Anna (2016), \u00ab Les jeunes auteures francophones de bandes dessin\u00e9es \u00e0 Montr\u00e9al : pratiques, r\u00e9seaux, repr\u00e9sentations \u00bb, Alternative francophone<\/em>, https:\/\/ejournals.library.ualberta.ca\/index.php\/af\/issue\/view\/1739\/showToc<\/a>.
Giaufret, Anna (2021), Montr\u00e9al dans les bulles. Repr\u00e9sentation de l\u2019espace urbain et du fran\u00e7ais parl\u00e9 montr\u00e9alais dans la bande dessin\u00e9e<\/em>, Sainte-Foy, Presses de l\u2019Universit\u00e9 Laval. 
Groensteen, Thierry (2011), Bande dessin\u00e9e et narration : syst\u00e8me de la bande dessin\u00e9e<\/em>, 2, Paris, PUF.
Hatfield, Charles (2005), Alternative Comics : An Emerging Literature<\/em>, Jackson, University Press of Mississippi.
Lemay, Sylvain (2016), Du chiendent dans le printemps<\/em>, Montr\u00e9al, \u00c9ditions M\u00e9m9ire.
Peeters, Beno\u00eet (2002), Lire la bande dessin\u00e9e<\/em>, Paris, Flammarion.
Viau, Michel (2021), BDQ : Histoire de la bande dessin\u00e9e au Qu\u00e9bec.1. Les pionniers de la bulle : des origines \u00e0 1968<\/em>, Montr\u00e9al : Station T, 2021.
Viau, Michel (2021), BDQ : Histoire de la bande dessin\u00e9e au Qu\u00e9bec. 2. Le printemps de la bande dessin\u00e9e qu\u00e9b\u00e9coise : de 1968 \u00e0 1979<\/em>, Montr\u00e9al : Station T, 2022.
Voix et images<\/em>, n\u00b0 128, hiver 2018 : \u00ab La bande dessin\u00e9e qu\u00e9b\u00e9coise \u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Beyond Borders<\/em><\/strong><\/p>\n

2e Colloque international du FBDM<\/strong><\/p>\n

The Montreal Comic Arts Festival (MCAF) and the McGill Centre for Interdisciplinary Research on Montreal (CIRM) are pleased to invite you to its 2nd Comic Arts International Conference, Beyond Borders<\/em>, in Montreal, from October 19 to 21,<\/strong><\/p>\n

…<\/p>\n

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