{"id":27462,"date":"2021-10-05T11:00:00","date_gmt":"2021-10-05T15:00:00","guid":{"rendered":"https:\/\/www.fbdm-mcaf.ca\/univers-bd\/babillard\/uncategorized\/colloque-international-bd-programmation\/"},"modified":"2021-10-13T15:05:41","modified_gmt":"2021-10-13T19:05:41","slug":"international-comic-arts-conference-program","status":"publish","type":"post","link":"https:\/\/www.fbdm-mcaf.ca\/en\/univers-bd\/babillard\/press-releases\/international-comic-arts-conference-program\/","title":{"rendered":"International Comic Arts Conference – Program"},"content":{"rendered":"\n

Montreal, October 4th 2021 <\/strong>– The Montreal Comic Arts Festival (MCAF) and the McGill Centre for Interdisciplinary Research on Montreal (CIRM)<\/strong><\/a> are pleased to invite you to the Shaking the Foundations<\/em> Conference in Montreal, from October 28 to 30, 2021<\/strong> in the auditorium of BAnQ, Montreal.<\/p>\n\n\n\n

In addition to highlighting the MCAF\u2019s 10th<\/sup> anniversary, this conference will bring together researchers interested in the comic arts and their creators for discussions and presentations of research and field work on the theme of Shaking the Foundations<\/em>. Mario Beaulac, professor in comic arts at the \u00c9cole multidisciplinaire de l\u2019image<\/strong><\/a> at Universit\u00e9 du Qu\u00e9bec en Outaouais, will oversee the event as scientific director.<\/p>\n\n\n\n

Shaking the Foundations<\/h2>\n\n\n\n

Metropolis, Gotham City, New York, Berlin, Brussels, even Montreal\u2014be they real or dreamlike, dark citadels or beacons of light, urban landscapes often find their way into the creative universes of comic creators. Through the trials of their protagonists and main characters, the city and its foundations are repeatedly abused, redesigned, and reimagined. Buildings are shattered or used as weapons by superheroes, locked in epic battles with their adversaries in the city. Protagonists commute through the city of the future, whether utopian or dystopian, where the artist has taken the opportunity to draw both the boundaries of the expected <\/em>city and the attention of critics and readers to urban design and its limits. Other creators may subvert the medium\u2019s conventions or use architectural and urban metaphors to deconstruct their stories. With each stroke of their pen, comic artists shake the foundations <\/em>of the real and imaginary city, the ways it is represented, and the urban issues it faces.<\/p>\n\n\n\n

Which formal or thematic devices do comic artists use to shake these foundations? Proposals may address one or more of the following themes:<\/p>\n\n\n\n

Shaking the foundations…of the city:<\/strong> <\/strong><\/h3>\n\n\n\n

The foundations of the city are disrupted in many ways in comics. Its architecture may be shattered, reduced to dust: fights between superheroes and their opponents, war situations, tales about the creation or dismantling of neighbourhoods, etc. The founding principles of architecture or urban planning may also be reinvented by utopian or dystopian visions of the city of the future or imagined urban milieus.<\/p>\n\n\n\n

Shaking the foundations…of society :<\/strong> <\/h3>\n\n\n\n

It is also possible for comic artists to question preconceptions of urban societies. By illustrating and addressing some of the concerns experienced in urban centres, comic artists highlight cultural, religious, social, economic, and other disturbances, and thus an established social order that may be criticised at leisure. Consider the works of Guy Delisle (Shenzhen<\/em>, Pyongyang<\/em>), Joe Sacco (Palestine<\/em>, Safe Area Gora\u017ede<\/em>) or Chantal Montellier (Wonder City<\/em>, Tchernobyl mon amour<\/em>).<\/p>\n\n\n\n

Shaking the foundations…of the comic arts : <\/strong><\/h3>\n\n\n\n

Finally, creators shake the foundations of the comic arts, namely by using urban or architectural metaphors in order to question their creative processes and storytelling, as does Chris Ware in his Building Stories <\/em>or as Fran\u00e7ois Schuiten and Beno\u00eet Peeters also endeavor in their Les Cit\u00e9s obscures<\/em>.<\/p>\n\n\n\n

Programming<\/h2>\n\n\n\n

Out of the thirty or so paper proposals received, the Scientific Committee of the conference chose eleven to be presented in four sessions from October 28 to 29 in BAnQ auditorium<\/strong>. Participation is free upon registration and the vaccination passport will be requested to be admitted. All the details can be found on the conference website<\/a>.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Opening conference<\/strong>
Cartoonist Jean-Paul Eid is the guest of honor at the opening conference. Having developed several experimental methods of exploded narration which seek to renew the relationship between the comic strip and the reader, Jean-Paul Eid will know how to talk to us about the role that the 9th art can take in the representation of what surrounds us.<\/p>\n\n\n\n

Commented tour<\/strong>
Because there is nothing like a walk around town to realize the changes that are taking place there.
The Montreal Comic Festival (MCAF) and the Centre for Interdisciplinary Research in Montreal Studies (CIRM) invite Montrealers to (re) discover the Centre-Sud through a guided tour through the heart of its streets, to wonder about its identity and to identify some of the factors that have shaken this neighborhood over the past decades. In the company of actors from the community and academics circles, this tour will be led by Richard Shearmur (CIRM \/ McGill) with the participation of cartoonist Richard Suicide, author of Chroniques du Centre-Sud<\/em>. This course is part of the Shaking the Foundations<\/em> Conference and the series of CIRM Montr\u00e9al : la cit\u00e9 des cit\u00e9s.<\/em><\/p>\n\n\n\n

Detailed Programming<\/h2>\n\n\n\n

Thursday October 28<\/strong><\/h3>\n\n\n\n

2:15 pm \u2022 Welcome Speech<\/h4>\n\n\n\n

2:30 pm – 3:30 \u2022 Comics & Museums<\/h4>\n\n\n\n

\u27a4 Comics and\/as Museums: Historical Representation at the Intersection of Exhibition Practice and Graphic Narrative
<\/em>By Elizabeth \u201cBiz\u201d Nijdam
\u27a4 Faire trembler les fondations de l\u2019institution mus\u00e9ale : quand la bande dessin\u00e9e se joue du mus\u00e9e<\/em>
Par Zo\u00e9 Vangindertael<\/p>\n\n\n\n

3:30 pm – 4:30 pm \u2022 Opening Conference with Jean-Paul Eid<\/h4>\n\n\n\n

Friday October 29<\/strong><\/h3>\n\n\n\n

10:30 am – 12 pm \u2022 Architecture in Comics <\/h4>\n\n\n\n

\u27a4 Drawing Chicago: Architecture and Urban Networks in Chris Ware\u2019s Graphic City
By Frederik K\u00f8hlert
\u27a4 L\u2019espace architectural et la cartographie au service des rep\u00e8res de lecture dans la bande dessin\u00e9e num\u00e9rique non lin\u00e9aire<\/em>
Par Margarita Molina Fern\u00e1ndez
\u27a4 La ville impossible : les cit\u00e9s mall\u00e9ables de Michael Deforge<\/em>
Par \u00c9mile Dupr\u00e9<\/p>\n\n\n\n

2 pm – 3:30 pm \u2022 Subversion, Feminism & Comics<\/h4>\n\n\n\n

\u27a4 Le fanzine ou la subversion-transformation des codes \u00e9ditoriaux de la bande dessin\u00e9e qu\u00e9b\u00e9coise<\/em>
Par Dolly Tawil, Katia Huber et Marie-\u00c8ve Plamondon
\u27a4 L\u2019Anthropologie f\u00e9ministe des soci\u00e9t\u00e9s urbaines en bande dessin\u00e9e : croisements entre le r\u00e9cit autobiographique, l\u2019ethnographie et le dessin<\/em>
Par Marie-\u00c8ve Carrier-Moisan
\u27a4 \u00c9critures du r\u00e9el et \u00e9cof\u00e9minisme : d\u00e9construction formelle de normes genr\u00e9es chez Julie Delporte et Catherine Ocelot<\/em>
Par Virginie Fournier<\/p>\n\n\n\n

4:30 pm – 6:30 pm \u2022 Commented Tour with Richard Suicide<\/h4>\n\n\n\n

Saturday October 30<\/strong><\/h3>\n\n\n\n

10:30 am – 12 pm \u2022 Dystopian Cities in Comics <\/h4>\n\n\n\n

\u27a4 Passage interdit – Le Montr\u00e9al morcel\u00e9 d\u2019Hiver nucl\u00e9aire<\/em>
Par Thara Charland
\u27a4 “Neo-Tokyo is About to Explode” – Akira and the Cyberpunk Metropolis
By Matthew Poulter
\u27a4 Apocalypse et dystopie nucl\u00e9aire : fonctions narratives des repr\u00e9sentations atomiques dans les mangas cyberpunk<\/em>
Par Alexandre Taalba<\/p>\n\n\n\n

12 pm \u2022 Closing remarks<\/h4>\n\n\n\n

Scientific Committee<\/h2>\n\n\n\n

In order to choose from among the proposals for papers received, we assembled a scientific committee made up of the following specialists:<\/p>\n\n\n\n

Scientific Director :<\/h3>\n\n\n\n

Mario Beaulac<\/strong>, Professor, \u00c9cole multidisciplinaire de l\u2019image, Universit\u00e9 du Qu\u00e9bec en Outaouais<\/p>\n\n\n\n

Members of the Scientific Committee :<\/h3>\n\n\n\n

Johanne Desrochers<\/strong>, General Director, MCAF
Dominique Gazo<\/strong>, Director of Montreal Public Libraries, City of Montreal
Anna Giaufret<\/strong>, Associate Professor, Department of Modern and French Languages and Cultures, University of Genova
Marc-Andr\u00e9 Goulet<\/strong>,  Head of department, Arts and Literature, Grande Biblioth\u00e8que (BanQ) 
Dominic Hardy<\/strong>, Professor, Department of Art History, Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al
Nik Luka<\/strong>, Co-Director, CIRM; Associate Professor, School of Urban Planning and Peter Guo-Hua Fu School of Architecture, McGill University
Fran\u00e7ois Vigneault,<\/strong> Cartoonist<\/p>\n\n\n\n

About the Organizing Partners<\/h2>\n\n\n\n

The Montreal Comic Arts Festival<\/strong><\/h3>\n\n\n\n

Over the last 10 years, MCAF has served as a space for artists and their audiences to meet and exchange ideas. The MCAF\u2019s yearly springtime event serves to promote Qu\u00e9b\u00e9cois and Canadian comic arts on the local and international levels, while contributing to their development and dissemination of knowledge on comics. Recently, MCAF has also stimulated and supported local comic artists thanks to the Presses du FBDM | MCAF Press<\/strong><\/a>.<\/p>\n\n\n\n

Centre for Interdisciplinary Research on Montreal<\/strong><\/h3>\n\n\n\n

Bringing together 74 researchers from over 15 universities in Montreal, Canada, and abroad, CIRM is at the forefront of interdisciplinary research on Montreal. The centre also contributes to the conception, coordination, and dissemination of research-action projects created in tandem with social, economic, cultural, community, and municipal actors in the city<\/p>\n\n\n\n

Organizing Committee<\/strong><\/h3>\n\n\n\n

Johanne Desrochers<\/strong>, General Director, MCAF
Audray Fontaine<\/strong>, Knowledge Mobilization Coordinator, CIRM
Mario Beaulac, <\/strong>Professor, \u00c9cole multidisciplinaire de l\u2019image, Universit\u00e9 du Qu\u00e9bec en Outaouais
Louise Guillemette-Labory<\/strong>, Chair of the Board, MCAF
Virginie Mont-Reynaud<\/strong>, Programme and Logistics Coordinator, MCAF<\/p>\n\n\n\n

The MCAF would like to thank its partners for their precious collaboration:<\/strong>
Canada Council for the Arts, Montreal Arts Council, Center for Interdisciplinary Research in Montreal Studies (CIRM), Consulate General of France in Quebec, Caisse de la Culture Desjardins
Thank you also to our service partners Multidisciplinary School of Image UQO, Acfas, BAnQ, Armada Film<\/p>\n\n\n\n

Thanks to Denis Rodier for his magnificent illustration for the conference\u2019s poster.
<\/strong>And finally thank you to the MCAF volunteer team, without whom the Festival simply couldn\u2019t happen.<\/p>\n\n\n\n

 – 30 –<\/p>\n\n\n\n

Biographical Notes<\/h3>\n\n\n\n

Jean-Paul Eid<\/h4>\n\n\n\n

Working in the field of comics since 1985, Jean-Paul Eid became known through Les aventures de J\u00e9r\u00f4me Bigras<\/em>, a surreal suburbanite flanked by Rex, his faithful lawn mower. Pages to be read by transparency, interactive scenarios, mirror pages … Eid has fun deconstructing the very language of comics. Two collections of these adventures, published by \u00c9ditions Logiques, were reissued in 2008 at La Past\u00e8que in an anthology with the evocative title, Des tondeuses et des hommes<\/em>. Bigras reappears in a final adventure, Le fond du trou<\/em> (Grand Prix de la Ville de Qu\u00e9bec and Special Jury Award B\u00e9d\u00e9lys 2012), a perforated album whose hole allows the characters to physically cross the story as one travels through time.<\/p>\n\n\n\n

In the meantime, Eid published in 1999 with the playwright Claude Paiement, the science-fiction diptych Le Naufrag\u00e9 de Memoria<\/em> (B\u00e9d\u00e9\u00efs Causa 2000 and 2004 and the B\u00e9d\u00e9lys Qu\u00e9bec 2004 Award) reissued in a single volume under the title Memoria<\/em> at La Past\u00e8que in 2020. The tandem did it again in 2016 with La femme aux cartes postales<\/em>, an ambitious graphic novel that nostalgically evokes the era of Montreal jazz clubs in the 1950s (ACBD award for best Quebec comic book and Grand Prix de la Ville de Quebec 2017).<\/p>\n\n\n\n

In 2021, The Little Astronaut <\/em>is released, his most personal work that tenderly and kindly recounts the story of Tom, a little boy born with cerebral palsy.<\/p>\n\n\n\n

Jean-Paul Eid also has a career as an illustrator. Since 2016, he has been a comic chronicler on the show Plus on est de fous plus on lit.<\/em><\/p>\n\n\n\n

Richard Suicide<\/h4>\n\n\n\n

Born Beaulieu in 1961, Richard Suicide established himself during the 1990s as one of the major figures of Quebec underground comics – alongside authors such as Julie Doucet, Henriette Valium, Simon Boss\u00e9 and Siris. In addition to producing strips for the weekly Ici <\/em>as well as numerous illustrations for the Montreal Mirror<\/em>, he has published a series of self-published fanzines and contributed to numerous collectives, including Comix 2000<\/em> at L’Association as well as Les D\u00e9mons du hockey<\/em> at Gl\u00e9nat Qu\u00e9bec. <\/p>\n\n\n\n

His book My Life as a Foot <\/em>(Conundrum Press) was published in 2007. Chroniques du Centre-Sud <\/em>is his second book in French, seventeen years after Gonades cosmiques<\/em>.<\/p>\n\n\n\n

Further Informatio<\/strong>n<\/h4>\n\n\n\n

MCAF Contact<\/strong>
<\/strong>Johanne Desrochers
General Direction
johanne.desrochers@fbdm-mcaf.ca<\/a><\/p>\n\n\n\n

Press Agent Contact<\/strong>
Lisa Moreau
presse@fbdm-mcaf.ca<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\n

Montreal, October 4th 2021 <\/strong>– The Montreal Comic Arts Festival (MCAF) and the McGill Centre for Interdisciplinary Research on Montreal (CIRM)<\/strong> are pleased to invite you to the Shaking the Foundations<\/em> Conference in Montreal, from October 28 to 30, 2021<\/strong> in the auditorium of BAnQ,<\/p>\n

…<\/p>\n

Read more ><\/span><\/a><\/p><\/p>\n","protected":false},"author":2,"featured_media":27412,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[97],"tags":[],"class_list":["post-27462","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-press-releases"],"acf":[],"yoast_head":"\nInternational Comic Arts Conference - Program • MCAF<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.fbdm-mcaf.ca\/en\/univers-bd\/babillard\/press-releases\/international-comic-arts-conference-program\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"International Comic Arts Conference - 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