{"id":22408,"date":"2020-05-03T15:00:00","date_gmt":"2020-05-03T19:00:00","guid":{"rendered":"https:\/\/www.fbdm-mcaf.ca\/?page_id=22408"},"modified":"2020-05-04T11:42:11","modified_gmt":"2020-05-04T15:42:11","slug":"sculpture","status":"publish","type":"page","link":"https:\/\/www.fbdm-mcaf.ca\/en\/comic-arts-festival\/past-editions\/the-festival\/exhibitions\/comics-and-arts-exhibition\/sculpture\/","title":{"rendered":"Sculpture"},"content":{"rendered":"\n

Comics & Sculpture<\/h2>\n\n\n\n

Sculpture<\/strong>, one of the oldest of the arts, consists of the conception and realisation of forms in three-dimensions, including both freestanding and bas-relief.<\/p>\n\n\n\n

Some of the earliest examples of what we might call sculptural \u201ccomics\u201d are to be found in religious edifices. At the time, these sculptures were a tool for educating and proselytizing to a largely illiterate populace. By visually depicting the direct consequences of sin \u2014hell\u2014 these works of narrative art could dissuade the audience from coveting his neighbor\u2019s wife, or seeking out the greener pastures over the hill. We find an example of this form in Hildesheim Cathedral in Germany.  The Bernward Doors (c. 1015) are ornamented with sixteen sculpted panels depicting bible stories:  On the left, the story of Adam and Eve, and on the right, that of the life of Christ.<\/p>\n\n\n\n

Sculpture: an Educational Tool<\/h3>\n\n\n\n
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\u00a9 Picture of the doors of Bernward cathedral’s in Hildesheim, Germany<\/figcaption><\/figure><\/div>\n\n\n\n

If we expand our definition of sculpture to include materials such as stained glass, we find the many of the finest examples of the art have similar \u201ccomic book\u201d elements.  Sainte-Chappelle in Paris and the cathedral of Chartes are adorned with narratives that tower over 12 meters in height. <\/p>\n\n\n\n

Stained glass windows are particularly interesting in that the medium\u2019s technique of depicting characters and scenes in sharp outlines and field of bright color echoes the look we find in ligne-clair<\/em> comics, one of the emblematic styles of franco-belgian bande dessin\u00e9e. This technique, defined by simple lines and bold fields of color, with each element isolated by black lines of a regular weight. In both comics and stained glass, this style emerged as a response to the technical restraints of the medium.







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In a more modern example, we can think of the pop-up book. A pop-up book uses hidden mechanisms, folds, window, pull tabs, and more, to create volume and movement within the pages of an otherwise flat book. The dynamism and action of certain comic books have lent themselves well to adaptation in this sculptural format, such as Ast\u00e9rix, les bagarres, le pop-up<\/em> (2015, \u00e9ditions du Ch\u00eane). The album was created by Jos\u00e9 Pons, a pop-up book designer, and included scenes which extended over 30cm off the page. The comics periodical Fluide glacial <\/em>got in on the action with nine animated scenes, and Panama Editions brought the friendly neighborhood Spider-Man to life in three dimensions with the aptly named The Amazing Spider-Man Pop-Up<\/em> (2007).<\/p>\n\n\n\n